Back
or Close
Window The
Seattle String Quartet BALLAD
STORIES features the World Premiere of the Jorge Morel
piece, "Berceuse for Guitar and String Quartet." Tom
Dziekonski - Violin Violinist
Tom Dziekonski studied violin with Vilem Sokol at the
University of Washington, where he graduated with honors in
Music, Arts and Electrical Engineering. He also studied with
Daniel Majeske, the late concertmaster of the Cleveland
Orchestra. He is concertmaster of Tacoma Opera and first
violinist with the Pacific Northwest Ballet Orchestra. He
plays occasionally with the Seattle Symphony, the Northwest
Chamber Orchestra, the St. James Cathedral Orchestra and the
Seattle Opera. In April, he played Concertmaster for the
Western Washington tour of "Opera a la Carte" from Los
Angeles. He has performed as a chamber musician for the
Governor's Chamber Music series, the Oregon Coast Music
Festival, Tacoma's Second City, Boise State University,
Portland State University and the Nordic Heritage series.
His Quartet arrangements of Christmas holiday music were
played all day Christmas Day on Northwest Cable News. Tom
can also be heard 24 hours a day worldwide on the
environmental channel for Muzak, and on sou ndtracks for TV,
radio and film. His latest violin solo TV commercial is for
Long's Drug. At
home, Tom's backyard fence is covered with over 1,000
license plates from musicians around the world. He has 12
cars, ranging from a 1959 Edsel to 3 AMC Gremlins. In May,
the Dziekonskis also hosted a family of chickadees in a
birdhouse which Tom made from a broken 1959 Edsel taillamp,
which meets Audubon Society specifications. It also lights
up. Ella
Marie Gray - Violin Ella
Marie Gray began her career in New York as a member of the
Kronos Quartet. On returning to her native Seattle, she
became a member of the Northwest Chamber Orchestra. She is
currently a member of the Pacific Northwest Ballet Orchestra
and frequently performs with the Seattle Symphony and
Seattle Opera. She has also performed with the Dallas Opera,
Fort Worth Symphony, and the Dallas Chamber Orchestra.
Ms.
Gray is a founding member of the Rainier String Quartet with
Ronald and Roxanna Patterson and Walter Gray, and makes
regular appearances on recital series in the Northwest. She
has been a faculty member at Western Washington University,
Seattle University, and Cornish College of the Arts. Ms.
Gray has also performed and recorded as solo violinist with
the New Performance Group in Seattle and across the
country. Recent
solo performances include the Brahms Double Concerto,
Beethoven Triple Concerto, Haydn Sinfonia Concertante, as
well as the premier of Ken Benshoof's "Out and Back Again"
with the Rainier Chamber Winds in Seattle. During the
1998-99 season Ms. Gray lived in Texas where she performed
and recorded the Benshoof Concerto with the North Texas Wind
Symphony and toured California with the piece. Ms.
Gray has been a member of the New Hampshire Music Festival
since 1982 where she has performed as soloist and
concertmaster. In the summer of 2000 she toured the midwest
with fellow musicians from the festival in a series of
chamber music recitals. She has also participated in the
Cabrillo, Tidewater, Olympic, and Waterloo Music
Festivals. Leslie
Johnson - Viola Bio
coming... Page
Smith Bilski - Cello Page
Smith is principal cellist of the Northwest Chamber
Orchestra, the Pacific Northwest Ballet Orchestra and the
Auburn Symphony. She is one of the region's beloved chamber
musicians, performing regularly with the NWCO's Showcase
Chamber Music Series, the Second City Chamber Music Series,
the Mostly Nordic series and the Music Northwest Series.
Smith performed for four summers as principal cellist of the
Aspen Chamber Symphony, performing on tour with them in the
Lincoln Center's Mostly Mozart Festival and the Kennedy
Center's Festival of Festivals. While living in New York,
Smith performed as principal cellist with the New Jersey
Symphony Orchestra and in the Chelsea Chamber Ensemble. She
has been the featured soloist with the Northwest Chamber
Orchestra, the Auburn Symphony, the Federal Way Symphony,
the Tudor Choir, Opus 7, Choral Arts Northwest and Seattle
Pro Musica. Her teachers have included Ronald Leonard, Lynn
Harrell, Gabor Rejto and in Seattle: Eva Heinitz, Phyllis
Allport and Raymond Davis. Jorge
Morel, born in Argentina and now living and working in New
York City, has performed for thousands of international
audiences in the last three decades incorporating brilliant
technique, a uniquely personal style and sophisticated
artistic expression. As impressive as his record as a
performing artist is, Morel's creative contributions as a
composer have achieved the respect and recognition of his
peers and established his position as a leader in the
ongoing development of the classical guitar. Through
his original compositions and arrangements, Jorge Morel has
added substantially to the existing repertoire for classical
guitar while consistently challenging traditional, technical
and stylistic limitations. His impressive mastery of
classical technique combined with his intimate knowledge of
the physical and acoustical characteristics of the
instrument has resulted in an innovative approach to the
complex task of composing for classical guitar. His ability
to blend his love of Latin American rhythmic textures with
sophisticated jazz harmonies permeates his work with a
musical imagination that is all his own attested to by the
many artists worldwide who have performed and recorded his
works. Names such
as the Assad Brothers, Carlos Barbosa-Lima, David Brandon,
Hilary Fields, Eliot Fisk, Ricardo Iznaola, Christopher
Parkening, Krzysztof Pelech, Angel Romero, Pepe Romero, and
David Russell have performed and recorded many of Morel's
original compositions and arrangements including Pampero,
Sonatina, Romance Criollo, Guitar Concerto and Danza
Brasilera among others. In addition to the many artists who
have recorded his compositions, Morel himself has also
created an extensive library of solo recordings. His
recorded work spans three decades and includes twelve
releases on both major and independent labels such as RCA
Victor-Decca, Guitar Masters, SESAC and Luthier Music. His
most recent recordings are "The Art of Jorge Morel" and
"Latin Impressions" available on Luthier. Recent
commissions include A Rhapsody For Two Brothers for the
Assad Brothers, Echos of Blues for Ricardo Iznaola, Una
Estampa Brasilera for Carlos Barbosa-Lima, and an
arrangement for two guitars of his Suite del Sur for
Christopher Parkening. A new CD release entitled Krzysztof
Pelech Plays Jorge Morel has received airplay on "Around New
York". Jorge's composition, Berceuse was featured on Hilary
Fields' CD (released 1995) and boasts a brand-new
arrangement with string quartet. Angel Romero's October '95
RCA release includes four Morel compositions, Malanibo,
Missionera, Preludio a Olga, and Cancion. Morel
is also recognized for his commitment to the development and
exposure of new talent, making his knowledge and experience
accessible to serious students of guitar through master
classes and private instruction. During his annual European
concert tour, Morel's itinerary is specifically designed to
accommodate an active teaching schedule. Acting in the role
of mentor, he has offered several former students the
opportunity to join him in live performance, lending his
name and support to help launch a gifted young
professional's career
Seattle String Quartet, which can be found at
seattlestringquartet.com.